Aaron Gilman - Up Coming Guest Speaker

on November 05, 2012

Aaron Gilman - Up Coming Guest Speaker

Awesome piece by Aaron Gilman.

This was posted on May 24th, 2009 and is still a great read!

As someone who has been back and forth between games and film for many years, I thought it might be interesting to offer my perspective on what I think are vastly different animation pipelines.

In my opinion, when it comes to animation, games and film begin their production process needing (not wanting) vastly different things, and this ultimately sets the tone for how animation is critiqued, processed and approved over the course of almost the entire project.

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CTN Animation Expo Video

on October 18, 2012

CTN Animation Expo Video

If you could ask the artists about their techniques, experience, what they feels is the next step in the film or game industry, or anything at all, what would it be? Share your questions and comments via Facebook, Twitter or email us. We have an awesome panel and we want  you to participate and be part of it.  

There's a lot to talk about and we will do our best to answer and cover  the topics you want to hear. 

Link to Videohttp://vimeo.com/51439456

Thanks, iAnimate

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Hamsters vs Robots

on October 12, 2012

Hamsters vs Robots

Here's a fun article on Method Studios and those "Hip" dancing hamsters.

One of the most popular commercials from 2011 was the Kia spot ‘Soul’ from agency David & Goliath, in which dancing hamsters took on a legion of dancing robots. We covered the spot here. Now, the hamsters are back in a disco-infused period piece, with even more impressive work by Method Studios. We talk to visual effects supervisor Andy Boyd about ‘Bringing Down the House’, from production company MJZ and director Carl Rinsch. The commercial was filmed by DOP John Matheison (Gladiator) at a theater in Prague, with real dancers wearing oversized clothing and a tracking rig, which was used to replace their heads with CG hamster versions. “They had a head piece they would wear that had tracking markers that we had spec’d out and measured, working in collaboration with Legacy Effects,” explains Boyd. “We actually tracked the whole body because we replaced the hands in most shots, and we were also tracking the body for interactive lighting – when the arm casts a shadow or moves in front of the head.”

Click Link for the full article.

http://www.fxguide.com/featured/how-to-sell-cars-dancing-hamsters-singing-robots/

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Glen Keane

on October 09, 2012

Glen Keane

For those who don't know who Glen Keane is, I highly recommend you look and study his work!

Glen will be at CTN Animation Expo this year, so i figured it would be great to share a few links on him.

 

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